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・ Spinney Mountain State Park
・ Spinneys
・ Spinnies, Aberogwen
・ Spinnin' for 2012
・ Spinnin' Records
・ Spinning (IPO)
・ Spinning (polymers)
・ Spinning (textiles)
・ Spinning Around
・ Spinning Around the Sun
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・ Spinning Boris
・ Spinning Coin
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Spinning Dancer
・ Spinning Dragons
・ Spinning drop method
・ Spinning dust
・ Spinning frame
・ Spinning into Butter
・ Spinning into Butter (film)
・ Spinning jenny
・ Spinning Jenny (magazine)
・ Spinning mirror system
・ Spinning mule
・ Spinning newspaper
・ Spinning pinwheel
・ Spinning roller coaster
・ Spinning the Wheel


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Spinning Dancer : ウィキペディア英語版
Spinning Dancer

The Spinning Dancer, also known as the silhouette illusion, is a kinetic, bistable optical illusion resembling a pirouetting female dancer. The illusion, created in 2003 by web designer Nobuyuki Kayahara,〔(Nobuyuki Kayahara's website )〕 involves the apparent direction of motion of the figure. Some observers initially see the figure as spinning clockwise (viewed from above) and some anti-clockwise. Additionally, some may see the figure suddenly spin in the opposite direction.〔
The illusion derives from the lack of visual cues for depth. For instance, as the dancer's arms move from viewer's left to right, it is possible to view her arms passing between her body and the viewer (that is, in the foreground of the picture, in which case she would be circling anti-clockwise on her right foot) and it is also possible to view her arms as passing behind the dancer's body (that is, in the background of the picture, in which case she is seen circling clockwise on her left foot).
When she is facing to the left or to the right, her breasts and ponytail clearly define the direction she is facing, although there is ambiguity in which leg is which. However, as she moves away from facing to the left (or from facing to the right), the dancer can be seen (by different viewers, not by a single individual) facing in either of two directions. At first, these two directions are fairly close to each other (both left, say, but one facing slightly forward, the other facing slightly backward) but they become further and further away from each other until we reach a position where her ponytail and breasts are in line with the viewer (so that neither her breasts nor her ponytail are seen so readily). In this position, she could be facing either away from the viewer or towards the viewer, so that the two positions two different viewers could see are 180 degrees apart.
Slightly altered versions of the image exist in which an additional visual cue facilitates the perception of anticlockwise spin and clockwise spin. Looking at one of these can then make the original dancer image above spin in the corresponding direction.
== Psychology of visual perception ==

It has been established that the silhouette is more often seen rotating clockwise than anti-clockwise. According to an online survey of over 1600 participants, approximately two thirds of observers initially perceived the silhouette to be rotating clockwise. In addition, observers who initially perceived a clockwise rotation had more difficulty experiencing the alternative.
These results can be explained by a psychological study providing evidence for a viewing-from-above bias that influences observers' perceptions of the silhouette. Kayahara's dancer is presented with a camera elevation slightly above the horizontal plane. Consequently, the dancer may also be seen from above or below in addition to spinning clockwise or anti-clockwise, and facing toward or away from the observer. Upon inspection, one may notice that in Kayahara's original illusion, seeing the dancer spin clockwise is paired with constantly holding an elevated viewpoint and seeing the dancer from above. The opposite is also true, an observer maintaining an anti-clockwise percept has assumed a viewpoint below the dancer. If observers report perceiving Kayahara's original silhouette as spinning clockwise more often than anti-clockwise, there are two chief possibilities. They may have a bias to see it spinning clockwise, or they may have a bias to assume a viewpoint from above. To tease these two apart, the researchers created their own versions of Kayahara's silhouette illusion by recreating the dancer and varying the camera elevations. This allowed for clockwise/from-above (like Kayahara's original) and clockwise/from-below pairings. The results indicated that there was no clockwise bias, but rather viewing-from-above bias. Furthermore, this bias was dependent upon camera elevation. In other words, the greater the camera elevation, the more often an observer saw the dancer from above.
In popular psychology, the illusion has been incorrectly identified as a personality test that supposedly reveals which hemisphere of the brain is dominant in the observer. Under this wrong interpretation, it has been popularly called the Right Brain–Left Brain test, and was widely circulated on the Internet during late 2008 to early 2009.〔(【引用サイトリンク】 url = http://en.sommer-sommer.com/braintest/ )
A recent publication describes the brain activation related to the switching of perception. Utilizing fMRI in a volunteer capable to switch at will the direction of rotation, it was found that a part of the right parietal lobe is responsible for the switching. More interestingly, the authors relate this brain activation to the recently described Spontaneous Brain Fluctuations 〔Bernal B, Guillen M, Marquez J. The spinning dancer illusion and spontaneous brain fluctuations: an fMRI study. Neurocase. 2014;20:627-39.〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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